How does literature create a sense of space and place? In this course, we will examine the “spatial turn” in literary studies, understanding how space and place offer themselves as useful categories for the analysis of literary texts. We will read key theorists of spatiality, including Gaston Bachelard, Michel de Certeau, and Michel Foucault. Looking at examples from the 16th to the 21st century, we will close read literary depictions of “real” and fantastical landscapes, gardens, cities, houses, and oceans, understanding these spaces and places as sites of changing social relations and symbolic meaning. We will consider space and place in the contexts of gender, secularization, urbanization, colonisation, postcolonialism, and more. We will also study the spatial structure of literary works, paying attention to the technologies of the printed page and the digital text. Students will have the opportunity to learn about the use of digital technologies (e.g. mapping technologies) in analyzing the spatial dimensions of literature.
The city and the country; interiority and exteriority; public space; symbolic space; spatial turn; travel; empire; the space of the text
To introduce students to different ways of approaching space and place in literary texts. To develop student abilities in terms of critical understanding, close reading, and contextual awareness. To nurture students’ ability to analyse the spatial dimension of a range of texts from across English language literary history.
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Discuss how place / space are useful concepts for understanding literary texts.
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Carry out sophisticated readings of texts in relation to key theoretical concepts & historical contexts around spatiality.
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Express ideas about literary texts in variety of media (e.g. oral discussion, presentation, digital resource, and academic essay).
Tuesdays: Mini lecture, class discussion, student presentations. We will discuss short texts / extracts from a handout (10-25 pages).
Fridays: Class discussion around a single text.
We will also have stand-alone workshops (see outline below).
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Class participation (includes class discussion, forum discussion, digital project, creative writing exercise) (30%)
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Class presentation (15%)
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In-Class Paper (15%)
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Term Paper (1500-2000 words) 40%
Week |
Lecture (Tuesday) |
Tutorial (Friday) |
Sept 3, 6 |
Introduction |
Lecture: Landscape |
Sept 10, 13 |
Gardens (Handout) |
Jamaica Kincaid, ‘My Mother’ |
Sept 17, 20 |
Cities (Handout) |
Edgar Allan Poe, ‘The Man of the Crowd’ |
Sept 24, 27 |
Oceans (Handout) |
Derek Walcott, ‘The Sea is History’ |
Oct 4 |
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In-Class Close Reading Paper |
Oct 8 |
In-Class Paper Feedback Session |
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Oct 22, 25 |
Domestic Space (Handout) |
Charlotte Perkins Gilman, ‘The Yellow Wallpaper’ |
Oct 29, Nov 1 |
Fantastical Space (Handout) |
M. John Harrison, ‘Egnaro’ |
Nov 5, 8 |
Textual Space (Handout) |
Susanna Clarke, Piranesi |
Nov 12, 15 |
Soundscapes (Lecture + Mini Excursion) |
Creative Writing Workshop |
Nov 26, 29 |
Digital Space |
Digital Workshop |
Dec 3, 6 |
Essay Workshop |
Essay Workshop |