Walker, Amelia, Bronwyn Lovell, Stef Rozitis, Anne Caldwell, Victoria Zoe Callus, Paul Collis, Robert Crocker, Dan Disney, Jesse Hill, Antony Huen, Evan Jarrett, Wanda O’Connor, Georgia Rose Phillips, Elvire Roberts, Lilian Roberts, Ali Sharman, Devin Tupper, and Carina Böhm. "Ecopoetic Encounters: Unsettling Anthropocentric Assumptions via Constraint-Based Anthologethnography." New Writing: The International Journal for the Practice and Theory of Creative Writing, vol. 22, no. 1, Jan. 2025, pp. 135-152. Taylor & Francis, doi:10.1080/14790726.2024.2427241.

Huen, Antony, and Felix Chow. “Cosmopolitan Hybridity, Cultural Memory and Curation in Hong Kong Poetry.” Writing Chinese: A Journal of Contemporary Sinophone Literature, vol. 2, no. 1, Dec. 2023, pp. 34-65. White Rose University Press, doi:10.22599/wcj.43.  

Huen, Antony. “Transculturalism, Transformation and the Visual Arts in Contemporary British Women’s Poetry.” Women: A Cultural Review, vol. 33, no. 4, Mar. 2023, pp. 414-431. Taylor & Francis, doi:10.1080/09574042.2023.2183623. [Women Poetry Prize] 

Huen, Antony. “Hong Kong Moment: A Diasporic Poetics within the British Poetics.” PN Review, vol. 49, no. 3, Jan.–Feb. 2023, pp. 59-63. ProQuest, https://proquest.com/scholarly-journals/hong-kong-moment-diasporic-poetics-within-british/docview/2781734550/se-2.  

Huen, Antony. “Chinese and City Aesthetics: A Conversation with Jennifer Wong.” World Literature Today, vol. 96, no. 3, May–June 2022, pp. 49-53. Project Muse, doi:10.1353/wlt.2022.0121. 

Huen, Antony. “The ‘old Hong Kong’ and ‘a gold-sifting bird’: Hong Kong and Chinese Ekphrasis in Contemporary British Poetry.” Wasafiri: International Contemporary Writing, vol. 37, no. 1, Mar. 2022, pp.14-22. Taylor & Francis, doi:10.1080/02690055.2022.1999653. [Wasafiri Essay Prize] 

Huen, Antony. “Photographs, Photography and the Photographer: A Conversation with George Szirtes.” Wasafiri: International Contemporary Writing, vol. 34, no. 3, Sept. 2019, pp.59-63. Taylor & Francis, doi:10.1080/02690055.2019.1613016. 

Huen, Antony. “Tamar Yoseloff as Ekphrasist, and Her Hidden Sweetheart.” Humanities, vol. 8, no. 2., June 2019, pp. 77. MDPI, doi:10.3390/h8020077. 

Huen, Antony. “Questions of the PhD.” Hong Kong Studies, vol. 1, no. 2, Sept. 2018, pp. 179-183. The Chinese University of Hong Kong Press, https://cup.cuhk.edu.hk/chinesepress/journal/HKS1.2/HKS1.2_179-183.pdf.

Huen, Antony, and Jason Eng Hun Lee. (in press) “Institutional and Communal Creativity: Local Discourse and English-Language Creative Writing in Hong Kong.” In Magdalen Ki and Wayne Liang (Eds.), Hong Kong Studies: The Culture and Politics of Realignment. Leiden: Brill.  

Quah, Helen, and Antony Huen. “Common Ground.” In Eddie Tay and Jennifer Wong (Eds.), State of Play: Poets of East and Southeast Asian Heritage in Conversation (pp. 65-81). London: Out-Spoken, Oct. 2023. 

Huen, Antony. “Texts for Teaching Poetry Writing for Language Learning.” In Graeme Harper (Ed.), Exploring Creative Writing (p. 133-146). Cambridge: Cambridge Scholars, May 2016.  

Havolli, Dan, Antony Huen, and Sarah Pyke. Review of Teaching Literature in the Real World: A Practical Guide by Patrick Collier. English: Journal of the English Association, vol. 71, no. 273, July 2022, pp. 175-187. Oxford Journals, doi:10.1093/english/efac014.  

Huen, Antony. Review of Painting Words: Aesthetics and the Relationship between Image and Text (edited by Beatriz González-Moreno and Fernando González-Moreno). Early Popular Visual Culture, vol. 20, no. 1, Nov 2021, pp. 85-87. Taylor & Francis, doi: 10.1080/17460654.2021.2001735.  

Huen, Antony. Review of As Slow as Possible by Kit Fan and Letters Home by Jennifer Wong. Hong Kong Review of Books, Aug. 2020, https://hkrbooks.com/2020/08/10/as-slow-as-possible-and-letters-home. 

Huen, Antony. Review of Mama Amazonica by Pascale Petit, Joy by Sasha Dugdale and Shrines of Upper Austria by Phoebe Power. The Compass Magazine, no. 7, Mar. 2019. 

Huen, Antony. Review of Cain by Luke Kennard. Eborakon, vol. 1, no. 3, Jan. 2017, pp. 42-44. 

Huen, Antony. Review of Steep Tea by Jee Leong Koh and The Ground I Stand on Is Not My Ground by Collier Nogues. Cha: An Asian Literary Journal, no. 29, Sept. 2015, https://asiancha.com/content/view/2195/515. 

“Cantonese Songs of Experience: Cantopop and the Western Canon.” Hong Kong Review of Books, Sept. 2021, https://hkrbooks.com/2021/09/29/hkrb-cantonese-songs-of-experience.  

“A Defence of Ekphrasis.” New Defences of Poetry, Jul. 2021, http://nclacommunity.org/newdefences.

“Odes to Touch.” The Oxonian Review, no. 44, Aug. 2020, https://oxonianreview.com/articles/odes-to-touch. 

“Reflections on Poetry as Portraiture.” Cha: An Asian Literary Journal, Nov. 2018, https://chajournal.blog/2018/11/07/maryknoll-convent-school.  

Four Poems. The Hong Konger, Feb. 2025, https://hongkonger.world/2025/02/14/four-poems-by-antony-huen.

“NICAM.” Fleurs des Lettres, no. 110, July–Aug. 2024, p. 99.

“Chinese Blackbirds.” Ecopoetic Encounters: Manipulating Linguistic Voice to Unsettle Anthropocentric Assumptions, Mar. 2024, p. 24. doi:10.25954/43hp-tk10.  

“The Whale.” Voice & Verse, no. 75, Dec. 2023, p. 65.  

“Amor.” In Orpheus Dreams of Eurydice: Meandering Cognitions, edited by Joost de Jonge, p. 122. The City Museum of Rijeka, Sept. 2023. 

“Jumbo Kingdom.” The Oxonian Review, Aug. 2023, https://oxonianreview.com/articles/jumbo-kingdom.  

“Bauhinia Blakeana.” In Where Else: An International Hong Kong Poetry, edited by Jennifer Wong, Jason Eng Hun Lee, Tim Tim Cheng, p. 44. Verve Poetry Press, May 2023.  

“A Personal History of Hong Kong as 39 Everyday Objects.” In A Personal History of Home, edited by Jennifer Wong, p. 82-83. The Oxford Research Centre in the Humanities, Jan. 2023, https://www.torch.ox.ac.uk/files/digitalhomeanthologyhrpdf.

Four Poems. PN Review, no. 268, Nov. 2022, p. 49. 

“Icarus.” In Painted Poetry & Painterly Poetics, Aug. 2022, http://paintedpoetry.org/water-on-water/index.html#040-250. 

“Horse Head.” Visual Verse, vol. 9, no. 2, Dec. 2021, https://visualverse.org/submissions/horse-head-huen. 

“Brain Sea.” Poetry Wales, vol. 57, no. 2, Dec. 2021, p. 61.  

Three Poems. In Voice & Verse 21/ 21 Anthology: Poetry from Hong Kong, edited by Chris Song & Tammy Lai-Ming Ho, pp. B47-B49. Musical Stone, Dec. 2021.  

“Self-Portrait as a Steamed Whole Fish.” The Dark Horse, no. 43, Jul. 2021, p.61. 

“Chinese Horoscopes.” harana poetry, Mar. 2021, https://haranapoetry.com/chinese-horoscopes-by-antony-huen. 

“Neighbours.” In Listen to the World 2020: Neighbours, edited by Emilie Lauren Jones, p. 38. Positive Images, Feb. 2021.  

Two Poems. In HK-SG Digital Travel Bubble. Poetry.sg, Feb. 2021, https://poetry.sg/travelbubble-3. 

“Cantonese Proverbs.” amberflora, Jan. 2021, https://amberflora.com/issues/issue-10/antony-huen-cantonese-proverbs. 

“Myo-pic.” Ink, Sweat and Tears, Oct. 2020, https://inksweatandtears.co.uk/day-five-of-vision-for-npd-jack-grady-lydia-kennaway-antony-huen. 

“In the Banyan Forest.” In Mingled Voices 3, edited by Gillian Bickley & Verner Bickley, p. 61. Proverse, Apr. 2019. 

“Notes.” Cha: An Asian Literary Journal, no. 42, Feb. 2019, https://asiancha.com/wp/article/antony-huen. 

“Peach.” Quarterly Literary Review Singapore, vol. 17, no. 4, Oct. 2018, qlrs.com/poem.asp?id=1445. 

“Remembering Hong Kong as 39 Everyday Objects.” Voice & Verse, no. 39-40, Mar. 2018, p. A66. (First published in Cha: An Asian Literary Journal, no. 33, Sept. 2016, https://www.asiancha.com/content/view/2462/565)

“Felt Suit.” The Ekphrastic Review, Dec. 2017, https://www.ekphrastic.net/the-ekphrastic-review/felt-suit-by-antony-huen. 

“Missing Her (Fanling Babies Home).” The Shanghai Literary Review, no. 1, Jun. 2017, p. 113.  

“The Houses.” In The Best New British and Irish Poets 2017, edited by Todd Swift, p. 63-65. Eyewear, Mar. 2017.  

“Imagine I Go to a Pub.” Cha: An Asian Literary Journal, no. 32, Jun. 2016, https://asiancha.com/content/view/2402/550.  

“Son to Father.” Cha: An Asian Literary Journal, no. 25, Oct. 2014, https://asiancha.com/content/view/1899/473. 

• Award for Young Artist (Arts Criticism), 19th Hong Kong Arts Development Awards, Hong Kong Arts Development Council (HKADC), 2025

• Longlisted for the Brotherton Poetry Prize, 2023

• Shortlisted for the Poetry London Pamphlet Prize, 2023

• Women Poetry Prize (Runner-up), Women: A Cultural Review, 2022 (Winning essay: “Transculturalism, Transformation and the Visual Arts in Contemporary British Women’s Poetry”)

• Wasafiri Essay Prize, Wasafiri: International Contemporary Writing, 2021 (Winning essay: “The ‘Old Hong Kong’ and ‘A Gold-Sifting Bird’: Hong Kong and Chinese Ekphrasis in Contemporary British Poetry”)

• Faculty Development Scheme (FDS), Research Grants Council (RGC): Ekphrasis in Hong Kong Poetry in English: Late 1970s to Early 2020s (2023–2024)

          (Principal Investigator since 2023; Co-Investigator since joining HKU)

• Research and Development Funding for School of Arts & Social Sciences, Hong Kong Metropolitan University (HKMU): The Institutionalization of Creative Writing in English in Hong Kong (2022)

          (Principal Investigator)

• Humanities Research Centre Doctoral Fellowship, University of York

• International Postgraduate Scholarship, University of Birmingham

• Dean’s List, Faculty of Arts, Chinese University of Hong Kong (CUHK)

• Sir David Trench Scholarship, United College, CUHK

• Co-publications from Ecopoetic Encounters, a creative-research project led by Amelia Walker (University of South Australia):

  • “Ecopoetic Encounters: Unsettling Anthropocentric Assumptions via Constraint-Based Anthologethnography” (2025);

  • “Ecopoetic Encounters: Manipulating Linguistic Voice to Unsettle Anthropocentric Assumptions” (2024)

• A commissioned conversation with Helen Quah for State of Play: Poets of East & Southeast Asian Heritage in Conversation, edited by Eddie Tay and Jennifer Wong, published by Out-Spoken Press in 2023

• World at the Climate Crossroads, an onsite multimedia exhibition in 2023, in collaboration with CUHK Jockey Club Museum of Climate Change and the International University Climate Alliance (University of New South Wales Sydney)

• Commissioned contributions to Joost de Jonge’s ekphrastic projects:

  • Digital anthology Water on Water (2022);

  • Orpheus Dreams of Eurydice: Meandering Cognitions, an exhibition at the City Museum of Rijeka in Croatia in 2023

• A commissioned exchange with Ang Lai Sheng for HK-SG Digital Travel Bubble, a digital exhibition of poetry and photographs, curated by Eddie Tay and Joshua Ip, published by poetry.sg in 2021