Metaphors of Meaning / Meaning of Metaphors:
Plato's Cave

Kendall Johnson
University of Hong Kong



"Metaphor: A figure of speech (more specifically a trope) that associates two distinct things; the representation of one thing by another. The image (or activity or concept) used to represent or 'figure' something else is the vehicle of the figure of speech; the thing represented is called the tenor. For instance, in the sentence 'That child is a mouse,' the child is the tenor, whereas the mouse is the vehicle. The image of a mouse is being used to represent the child, perhaps to emphasize his or her timidity."

    Ross Murfin and Supryia M. Ray, The Bedford Glossary of Critical and Literary Terms (2003), p. 262



"Derived from the Greek roots meta (over, across, or beyond) and phor (to carry), the literal meaning of metaphor is "to carry across." A metaphor carries across a name from the source to the target. Rhetoricians throughout history have recognized metaphors as linguistic hand-me-downs, meanings passed on from an old word to a new thing."

    James Geary, I Is an Other: The Secret Life of Metaphor (2012), p. 9


Socrates speaking to student Glaucon (Plato's older brother):
— From Book VII of Plato’s Republic, translated by B. Jowett (380 BCE)

"[1] Imagine human beings living in an underground den which is open towards the light; they have been there from childhood, having their necks and legs chained, and can only see into the den. At a distance there is a fire, and between the fire and the prisoners a raised way, and a low wall is built along the way, like the screen over which marionette players show their puppets. Behind the wall appear moving figures, who hold in their hands various works of art, and among them images of men and animals, wood and stone, and some of the passers-by are talking and others silent. [...]

[2] They see only the shadows of the images which the fire throws on the wall of the den; to these they give names, and if we add an echo which returns from the wall, the voices of the passengers will seem to proceed from the shadows.

[3] Suppose now that you suddenly turn them round and make them look with pain and grief to themselves at the real images; will they believe them to be real? Will not their eyes be dazzled, and will they not try to get away from the light to something which they are able to behold without blinking?

[4] And suppose further, that they are dragged up a steep and rugged ascent into the presence of the sun himself, will not their sight be darkened with the excess of light? Some time will pass before they get the habit of perceiving at all; and at first they will be able to perceive only shadows and reflections in the water; then they will recognize the moon and the stars, and will at length behold the sun in his own proper place as he is. Last of all they will conclude:—This is he who gives us the year and the seasons, and is the author of all that we see. How will they rejoice in passing from darkness to light!

[5] How worthless to them will seem the honours and glories of the den! But now imagine further, that they descend into their old habitations;—in that underground dwelling they will not see as well as their fellows, and will not be able to compete with them in the measurement of the shadows on the wall; there will be many jokes about the man who went on a visit to the sun and lost his eyes, and if they find anybody trying to set free and enlighten one of their number, they will put him to death, if they can catch him.

[6] Now the cave or den is the world of sight, the fire is the sun, the way upwards is the way to knowledge, and in the world of knowledge the idea of good is last seen and with difficulty, but when seen is inferred to be the author of good and right—parent of the lord of light in this world, and of truth and understanding in the other. [...]"


Plato's Cave (1604),
Jan Pietersz Saenredam after Cornelis Cornelisz van Haarlem
National Gallery of Art, UK


"Allegory of the Cave," from Plato's Republic"